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Movie online flying moustache cartoon. 0:31 'A Quiet Place Part II' 0:31 Watch the Big Game Spot 0:31 'A Quiet Place Part II' 0:31 Watch the Big Game Spot 0:31 'Mulan' 0:31 Big Game Sneak Peek 0:31 'Mulan' 0:31 Big Game Sneak Peek 1:43 From 'Hated' to 'Joker' 1:43 A Guide to the Films of Todd Phillips 1:43 From 'Hated' to 'Joker' 1:43 A Guide to the Films of Todd Phillips 3:31 'Palm Springs' Heat 3:31 Major Buzz for Andy Samberg's New Comedy 3:31 'Palm Springs' Heat 3:31 Major Buzz for Andy Samberg's New Comedy 2:07 Official Trailer 2:07 Motherland: Fort Salem 2:07 Official Trailer 2:07 Motherland: Fort Salem 1:53 'Promising Young Woman' 1:53 "Killing Eve" Writer Talks Keeping It Dark 1:53 'Promising Young Woman' 1:53 "Killing Eve" Writer Talks Keeping It Dark 0:35 'The Jesus Rolls' Teaser 0:35 'The Big Lebowski' Character Returns 0:35 'The Jesus Rolls' Teaser 0:35 'The Big Lebowski' Character Returns 1:54 "The Plot Against America" 1:54 HBO Limited Series Trailer 1:54 "The Plot Against America" 1:54 HBO Limited Series Trailer Browse trailers Featured today List 2020 Writers Guild Awards: See the Winners Videos Watch All the Big Game Trailers 0:49 It's "Downton Forever" for Binge-Watcher Winston Duke 3:07 Which Past Role Would Laura Dern Want to Revisit? 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Movie online flying moustache car. "Everything makes me nervous - except making films. " Movie News Next Three Horror Franchise Movies From Halloween to a Shining prequel, here are the next three movies that are connected to popular horror franchises. Captain Marvel Trailer See the first trailer for the next Marvel Studios movie, Captain Marvel, starring Brie Larson. Watch now. The Next Batman? Are we about to get a new actor as Batman? We explore all the possibilities in the latest Comics on Film column. Movie online flying moustache clip art. Movie online flying moustache pictures.
4 wins & 2 nominations. See more awards » Edit Storyline Marc is sitting in his bath one morning and asks his wife, how would you feel if I shaved off my mustache. She doesn't think it's a great idea, for the 15 years they've been married, she's never known him without his 'stache. He shaves it off anyway, but when he sees his wife, she doesn't notice, neither do their friends at dinner that night, neither do his co-workers. Marc finally flips out, shouts at everyone, tells them he's tired of their little joke, and what do they really think. His wife and co-workers are appalled, what is he talking about, he's never had a mustache. In fact, he's imagining other things as well, or is he? Written by poco loco Plot Summary, Plot Synopsis Details Release Date: 6 July 2005 (France) See more » Also Known As: Amor Suspeito Box Office Opening Weekend USA: 9, 148, 28 May 2006 Cumulative Worldwide Gross: 3, 044, 771 See more on IMDbPro » Company Credits Technical Specs See full technical specs » Did You Know? Goofs In several of the scenes it appears that Lindon has a small cut on his forehead - but it keeps disappearing and reappearing randomly. See more » Connections Referenced in The Pack (2010) See more ».
Movie online flying moustache 2. 21 Jump Street 2012 Young cops go under cover as high school students. 31 Nights of Halloween Fan Fest 2019 Fan party for your favorite Halloween movies! The Age of Adaline 2015 A young woman is rendered ageless after an accident. Au Pair 3 Adventure in Paradise 2009 Oliver surprises the family with a vacation to Puerto Rico. Beauty and the Briefcase 2010 Hilary Duff stars as Lane Daniels, a fashion journalist. The BFG 2016 A 10-year-old girl befriends the Big Friendly Giant. Camp Takota 2014 A girl takes a job as a counselor at her old summer camp. Campus Confidential 2005 Violet exposes all the cool kids' secrets in a tell-all tabloid. Crimes of Fashion 2004 When her grandfather passes away, Brooke's life is turned upside down. Cutting Edge 4: Fire and Ice Francia Raisa reprises her role as Alexandra Alex Delgado. Dirty 30 A woman's 30th birthday party spirals out of control. E. T. The Extraterrestrial 1982 A California boy befriends a homesick alien. Fallen Part 1 2006 An 18-year-old, who struggles to come to terms with his new identity. Fallen Part 2: The Journey 2007 Aaron tries to rescue Vilma without drawing attention to his location. Fallen Part 3: The Destiny Aaron and Vilma continue their quest to find the Light Bringer. The Final Girls A girl ends up in the world of a horror movie. Ghosting: The Spirit of Christmas Jess "ghosts" Ben when she dies in a car accident. Hello Sister, Goodbye Life! Olivia inherits custody of her 7-year-old sister. Hook 1991 A grown-up Peter Pan must return to Neverland. Lovestruck: The Musical 2013 Mirabella decides to quit the show to get married. Madagascar: Escape 2 Africa 2008 The animals try to fly back to NYC but crash in Africa. Masterminds An armored-truck driver takes the fall for a big heist. My Fake Fiancé Vince and Jennifer meet at a friend's wedding. My Future Boyfriend 2011 A young man from the loveless future travels to present day New Orleans. Pizza My Heart The Prestolanis and the Montebellos fight over who has the best pizza. Princess A fairytale romance between William and the beautiful Princess Ithaca. Revenge of the Bridesmaids Abigail and Parker run into their friend who has lost the love of her life. The Social Network Legal and personal complications follow Facebook's founding. Star Wars: Galaxy's Edge - Adventure Awaits Celebrating Disneys new land that brings Star Wars to life! Teen Spirit In order to save her soul, Amber must pull off a high-school miracle. Time Share 2000 Two single-parent families rent the same beach house. Turkey Drop Lucy suspects she's about to get dumped. Twilight Teenager Bella Swan falls in love with vampire Edward Cullen.
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Movie online flying moustache free. Airplanes: They're a useful mode of transportation, reliable subject matter for hacky stand-up comics, and a linchpin for some of the most memorable movies ever made. We present the 10 best films involving planes. Ironically, many of our choices would never play on an actual airplane: They'd be too upsetting for most passengers. But that's what links these otherwise very diverse movies: The thrill and terror of flying is the perfect dramatic device to create chills, scares, and big laughs. 10. Snakes on a Plane This supremely dopey action-thriller has a killer hook: What if some bad guys released a ton of dangerous snakes onto a commercial flight in order to kill one of the passengers—and the only person who could save the day was Samuel L. Jackson? Snakes on a Plane is B-movie nonsense pumped full of cheeky self-awareness—it's so bad, it's good—but the film gets a jolt from its claustrophobic, aviophobic, ophidiophobic premise. Sure, every single snake in this movie looks totally fake, but when they're attacking people in all types of creative, ghastly ways, there's a giddy, funhouse glee to the proceedings. Jackson may have gotten tired of those M-F snakes, but we never did. 9. Red Eye Horrormeister Wes Craven shifted gears for this close-quarters thriller that takes its main character's fear of flying to scary new heights. Rachel McAdams plays Lisa, a hotel manager, who befriends fellow passenger Jackson (Cillian Murphy. Quickly, though, she discovers their encounter is anything but random: He holds her hostage, coercing her into helping him with a terrorist plot by threatening to have her father killed if she doesn't comply. Red Eye reveals in its Hitchcockian vibe, trapping Lisa and the audience on the plane as our heroine tries to outsmart her cunning adversary while 30, 000 feet in the air. 8. Hell's Angels Those who have seen The Aviator know the story of Hell's Angels ' making—how eccentric millionaire Howard Hughes invested his fortune and years of his life to produce what he hoped to be the most realistic air-combat movie ever. Hell's Angels doesn't hold up as a great film, but those dogfight scenes remain extraordinary. Modern eyes have become so used to absorbing terabytes of CGI trickery that it's frankly shocking to watch this World War I drama as real pilots fly real planes while being filmed by real cameramen. In Hell's Angels, nothing comes out of a computer, and the high-wire intensity is gasp-inducing and thrilling. It was also very dangerous: The shoot required 87 planes and 137 pilots, three of whom died during filming. Hughes' mad vision has inspired plenty of subsequent audacious cinematic aerial assaults—particularly, the helicopter raid in Apocalypse Now. 7. Flight Not much of this Oscar-nominated drama takes place on a plane. But the part that does … good lord, is it terrifying. Denzel Washington plays Whip, an alcoholic airline pilot who has to react fast when his plane malfunctions midflight. The rest of Flight deals with the aftermath of his risky crash-landing, which exposes his addiction and inspires some severe soul-searching. Nonetheless, the movie's opening aerial sequence might be the most frightening ever filmed. Real-life pilots dismissed Flight as being unrealistic on a number of levels, but director Robert Zemeckis and his team of technical wizards leave you clutching the armrest with such force that you don't have time to quibble over details. 6. Sully There are two films going on simultaneously in this biopic of celebrated airline pilot Chesley "Sully" Sullenberger. In one, Sully (Tom Hanks) is under investigation for his handling of a 2009 emergency landing in the Hudson River, which remarkably resulted in all of his passengers getting out alive. In the other, better movie, we're treated to a harrowing re-creation of Sully's daring handling of that infamous US Airways flight in which both engines were knocked out and certain doom seemed assured. Director Clint Eastwood won't let you breathe for a second, and Sully 's realistic depiction makes the buildup to the crash even more terrifying. After watching this movie, you'll be even more impressed with Sully's calm command under immense pressure. 5. Air Force One The 1990s: a time when every other action movie was a rip-off of the Die Hard "guy trapped in a. formula. Speed? Just Die Hard on a bus. Under Siege? That's Die Hard on a boat. But one of the most successful was Air Force One, where Harrison Ford plays the President of the United States who's trapped on his souped-up personal aircraft after terrorists (led by Gary Oldman) take him hostage. Ford and director Wolfgang Petersen ( In the Line of Fire) were at the height of their popularity, and the movie is full of old-school Hollywood craftsmanship, effortlessly moving from one suspense sequence to the next. The filmmakers have a blast turning Air Force One into an action-movie playground, and Ford is the perfect clenched-jaw hero as the most ass-kicking POTUS ever. He's such a bulletproof star he even gets away with that totally hokey "Get off my plane. line. 4. Top Gun After Top Gun, it was impossible to look at Tom Cruise or Navy pilots the same way ever again. Director Tony Scott's high-flying, super-melodramatic action-drama has been analyzed to death. Regardless, Top Gun may be the most '80s of 1980s movies, following hotshot flyboy Maverick (Cruise) as he and his buff buds attend an elite training program when they're not busy playing volleyball and scamming on gals. Decades later, the flight sequences are still stunning, and the film contains the best aerial fight scenes since Star Wars. Perhaps more importantly, no movie made flying look as awesome as Top Gun did—even if no one understands why you would take a highway to the danger zone. 3. United 93 Airline travel was never the same after the 9/11 terror attacks, and this tense, sobering depiction of that fateful day commemorates the horror and heroism that occurred amidst impossible circumstances. Before United 93, director Paul Greengrass was best known for The Bourne Supremacy, and he incorporated that film's jittery, handheld energy for a meticulous drama that recounts how the passengers of United 93 fought back against the terrorists who hijacked their plane, preventing them from executing their mission by rushing the cockpit. Cutting back and forth between the plane and the ground, as the FAA tries to figure out what's just happened and how to respond to the attack, United 93 is hard to watch, but it's a supremely intelligent and moving account of a terrible moment in American history. 2. The Right Stuff Although The Right Stuff is rightly remembered as the story of America's first astronauts, much of the movie concerns the important steps these men had to go through first before they could prepare for space. The flight sequences in this Oscar-winning drama remain utterly stirring, as we watch Chuck Yeager (Sam Shepard) break the sound barrier in a plane so tiny we're sure it's going to break apart at any second. Plenty of movies capture the danger and exhilaration of flying, but The Right Stuff also taps into the guts, patriotism, and daredevil spirit that informed these pilots' every decision. By the time the film leaves Earth's orbit, we don't just understand the risks involved in going into space but also the courage and character of the individuals crazy enough to try. 1. Airplane! Cinematic comedy can be divided into two eras: before Airplane! and after Airplane! An hilarious riff on 1970s disaster movies—especially the little-remembered Zero Hour! —this 87-minute masterpiece takes everything that's irritating and nerve-wracking about flying and weaponizes it into some of the most brilliantly stupid gags to ever grace the silver screen. Airplane! helped popularize the Hollywood parody, but more importantly, it created a self-aware, smart-ass brand of comedy that celebrated total irreverence and a cheeky enthusiasm for lower-than-lowbrow humor. Though a lot has changed in the last 40 years, Airplane! s flying-centric gags remain timeless with a chipper stewardesses, annoying seatmates, terrible airline food, weirdly self-serious pilots, and the nagging fear that the plane could go down any second. Airplane! didn't just revolutionize comedy but proved to be the last word on its subject matter. Assume crash positions.
Download new free movies Download free new movies from our website, fast and safe with just one click, choose by genre or the year of release. Edownloadmovies has one of the largest collections of online movies, so you can download the latest cinema movies releases. "Action. To some it just means "violence" but the greats of action cinema give us something more, turning shootings, punching and explosions into a spectacular artform. From the taciturn classics of the '70s, through the one-man-army '80s, the mismatched-buddy '90s and on to the superheroic present day, allow Empire to guide you through 50 of our favourites. 50. Lethal Weapon 2 Barely a day goes by in the Empire office without someone shouting "Dip-lo-mat-ic-imm-un-it-y. in a bad Afrikaans accent: this is a film that has entered the public consciousness. There's inventive carnage, conspiracy, truly hissable bad guys ( Joss Ackland and Derrick O'Connor) and the fact that it actually manages to surprise us by killing off Patsy Kensit. The first Lethal Weapon 's rougher edges have been sanded off: this is heading more towards action-comedy territory. But it gets more brutal in a dark final act where the cast is dramatically thinned out. Read Empire's Lethal Weapon 2 review Buy it here 49. Enter the Dragon Bruce Lee s final film (not counting the ones cobbled together after his untimely death) is arguably the one that "started it all" kicking off the jones for kung-fu that swept mainstream culture in the west in the 1970s. Even Roger Moores Bond tried to get in on the craze. Lee plays a Shaolin martial artist working undercover for British Intelligence to bring down the villainous Shih Kien. Culturally its fascinating, but purely as a movie experience it still cuts the mustard more than 40 years on. Its testament to Lees sheer power and charisma. Read Empire's Enter The Dragon review 48. Kill Bill Vol. 1 Vol. 2 was more of a measured-paced, dialogue driven Western. But Kill Bill Vol. 1 is Quentin Tarantino s Eastern, lovingly channelling the marshal arts movies he most adores. Its even got Sonny Chiba in it. The plot is almost perfunctory: Uma Thurman 's "The Bride" is almost murdered on her wedding day, but recovers to seek revenge on the perpetrators, including ultimate goal Bill. Well get to him next time, but for Vol. 1 its all about the journey rather than the destination. Still, it manages an extraordinarily choreographed fight sequence, as The Bride hacks her way through dozens of opponents on her way to Lucy Liu s formidable O-Ren Ishii. Read Empire's Kill Bill Vol. 1 review 47. Inception While David Lynch arguably has a better handle on how dreams actually function, theres no arguing with the brio and spectacle of Christopher Nolan s mind-bending sci-fi heist flick. His dream worlds are piled layer on layer, allowing for some head-scratchingly intricate plotting. Strong performances all round too, from Leonardo DiCaprio, Ellen Page, Michael Caine and particularly Tom Hardy in his breakout role. But its the set-pieces that stay with you, like the shifting cityscapes, the snow sequences, and that fight sequence in the building with a shifting point of gravity. Read Empire's Inception review 46. Battle Royale A high-concept masterpiece, this controversial effort (several attempts were made to ban both film and its source novel in Japan) from Kinji Fukasaku continues to provoke discussion with its devastating premise: a class of teenagers are taken to an island, fitted with explosive collars and told to kill one another until only one remains. It's gory - but this is not violence for its own sake. Fukasaku's got something powerful to say about intergenerational distrust, modern society, our attitudes to violence and one another and modern Japan as a whole. Read Empire's Battle Royale review 45. Yojimbo Famously remade by Sergio Leone as the Western A Fistful Of Dollars, its perhaps less well known that Yojimbo is itself an adaptation of an American source: Dashiel Hammetts hard-boiled 1929 novel Red Harvest. Its effortlessly transposed to the Samurai idiom however, with Akira Kurosawa s gruff regular star Toshiro Mifune erupting occasionally into brief bursts of sword-wielding action as he plays two rival clans off against each other for his own ends. Mifune returned as the same character in the follow-up Sanjuro. Read Empire's Yojimbo review 44. Speed Mixing action thriller with disaster movie tropes in the way Die Hard had done previously, Speed can basically be described in terms of its setpieces: the lift, the bus and the train. The middle section is the principal one, of course: Keanu Reeves is on a bus with a bomb on it, which will explode and kill all its passengers if its speed drops below 50mph. Dennis Hopper is the aggrieved bad guy on the phone giving instructions, and Sandra Bullock is, reluctantly but pluckily, at the wheel. Thrills! Spills! Near misses! Romance, even! Most impressive is the way that, despite seemingly limited options for drama in its enclosed space, the bus section never outstays its welcome. Only the final train sequence feels slightly tacked on. Director Jan De Bont had been Die Hard s cinematographer, clearly watching John McTiernan closely for some tension tips. Read Empire's Speed review 43. Indiana Jones And The Temple of Doom The modern trend for making sequels "darker" surely dates back to this blood-soaked effort, with its human sacrifice, child enslavement and Indy himself being possessed by the Dark Side. It actually takes place before Raiders Of The Lost Ark) – meaning the repeated gun/sword gag doesnt actually make sense chronologically – and sees Indy in India, trying to procure sacred stones from an evil Thuggee cult to save a beleaguered village. While the bookends of the original trilogy are funnier, this one stays with you longer, albeit in nightmares. Read Empire's Indiana Jones And The Temple Of Doom review 42. Mad Max 2 The original Mad Max had its share of awesome vehicular chase sequences, but nothing that quite prepared audiences for what was to follow. The plot is simple: Mel Gibson 's Max gets roped into helping a besieged community escape the marauders outside. But its the crazy world and character-building, vehicle design and pedal-to-the-metal action thats important: unstoppable forward momentum and a focused, blistering vision. Read Empire's Mad Max 2 review 41. Face/Off The high watermark of John Woo s stint in Hollywood, Face/Off is full of all the slo-mo action gunplay and doves youd expect. The story – cop and gangster swap faces and lives during a protracted game of cat-and-mouse – is high-concept bordering on nonsensical. But what makes it work are Nicolas Cage and John Travolta, playing not only their own characters but essentially each other. Travolta actually has more fun, cutting loose as one of Cages loopy bad guys. Cage, after some madness at the start, has to reign it in a bit to play Travolta. It was probably for the best. Read Empire's Face/Off review 40. Captain America: Civil War Marvels most ambitious outing to date set everyones favourite super-squad against each other – and sent a few of them home to patch up their suits. The idea of pitching 673 (or thereabouts) superheroes against each other was a dizzying notion, but the brothers Russo pulled it off with aplomb, introducing a unanimously crowd-pleasing baby Spidey in the process. Worried about superhero fatigue? Those fears completely vanish by the time you reach the films airport battle opus. Read Empire's Captain America: Civil War review 39. Hell Drivers British grit from 1957, with a rambunctious crew of hard men competing to drive dangerous loads along dangerous roads in as fast a time possible. It all takes place in believably downbeat locations, and the chase sequences - the final one in particular - are thrilling, thanks to the direction of blacklisted Hollywood exile Cy Endfield. And the cast, to modern eyes, is extraordinary: led by Stanley Baker and stacked with British tough guys whod go on to greater fame. Look out for (deep breath) Sean Connery, Patrick McGoohan, William Hartnell, David McCallum, Gordon Jackson, Herbert Lom and Sid James. Read Empire's Hell Drivers review 38. Ong-Bak The title refers to the Buddhisst statue which, in a shocking act of vandalism, has its head sawn off by the minions of an evil businessman. Its up to headline star and fight choreographer Tony Jaa to retrieve it: a quest he undertakes in punishingly brutal style. Its a b-movie plot, but Ong-Bak rises above it by eschewing any wire work for grittier and more down-to-earth Muay-Thai beatings. The dedicated fight team were all prepared to take a pummelling for real. Their pain is the audiences gain. Read Empire's Ong-Bak review The plot, involving the recovery of a stolen sword and a couple of pairs of lovers, might seem a little far fetched at times, and the subtitled dialogue a touch too stately, but the sheer scale of Crouching Tiger 's setting, cinematography and fight choreography will leave all but the most stone-hearted impressed. Delicate, dialogue-heavy scenes are torn apart by Chow Yun-Fat, Michelle Yeoh and Zhang Ziyi as they blast up and over treetops, through the air, and into their enemies with such balletic grace you can scarcely believe your eyes. Read Empire's Crouching Tiger, Hidden Dragon review 36. The Fugitive Harrison Ford is on his best Action Dad form – see also the Jack Ryan films – in this ‘90s big-screen remake of the venerable TV series. As in the show, hes on the trail of the mysterious one-armed man who murdered his wife and got Ford framed for the crime. On the run - a journey including the spectacular set piece of Ford flinging himself down a storm drain - he has to deal with the formidable tenacity of pursuing agent Tommy Lee Jones. Jones dogged, dryly humorous screen persona here was so successful that he recycled it for any number of films subsequently, including the Ford-less official Fugitive sequel US Marshals. Read Empire's The Fugitive review 35. Road House Ridiculous cod-zen philosophy clashes headlong with bone-crunching action in this ‘80s classic. "Nobody ever wins a fight. Patrick Swayze intones solemnly. but he does tend to come out of them pretty well. The set-up has Swizzle as a bouncer at the seedy titular establishment, the Double Deuce. But his attempts to clean up the joint lead him into violent confrontation with local heavy Ben Gazzara and his goons. Along the way Swayze gets to do a spot more dirty dancing – this time with Kelly Lynch – and a modicum of throat ripping. Its tosh, but glorious tosh. Read Empire's Road House review 34. The Crow Alex Proyas adaptation of James OBarrs graphic novel deserves far more appreciation than the morbid notoriety it garnered from Brandon Lee s tragic death on set. Ingeniously transposing High Plains Drifter to a dystopian urban Detroit, its the story of an unstoppable revenge-killer from beyond the grave who incredibly remains sympathetic thanks to Lees performance. And though its dark and violent in a way that comic-book movies are rarely allowed to be these days, its still leavened with a seam of grim humour. Arriving at the height of grunge it was also perfectly placed to ride the alt-rock wave, and did so without ever feeling like an embarrassing studio attempt to appeal to a yoot movement: The Crow rages to a soundtrack that still feels credible two decades later. Read Empire's The Crow review 33. The Wild Bunch Sam Peckinpah s ferocious Western re-wrote the rule book for onscreen violence: the film is bookended by notorious onslaughts of blood-spurting and slow-mo slaughter. It begins with a botched robbery, progresses to One Last Job stealing rifles from the US Army for cigar-chomping Mexican warlord general Mapache, and climaxes with an apocalyptic last stand at Mapaches hacienda. The thesis is that the Bunch are men out of time, left behind as the march of progress leaves them obsolete in the developing American West. But while the films brutally nihilistic, its also curiously sentimental: Peckinpah bought into those myths of the West far more than his Western-legend predecessor John Ford. Read Empire's The Wild Bunch review 32. The Bourne Ultimatum Five years on from his introduction in The Bourne Identity, Matt Damon s amnesiac super-agent Jason Bourne reaches the end of his journey (at least until he went on the run again in 2016. The conclusion of the original Bourne trilogy is a snare-drum-tight thriller that at last gives some closure to Treadstones most successful-but-unpredictable experiment as he embarks on a breakneck world tour. The biggest hit of the three, it also established Paul Greengrass as arguably the premier thriller director currently plying his trade. Read Empire's The Bourne Ultimatum review 31. The Killer Adding 37 percent more slow-mo to the decade, John Woo exploded out of Hong Kong action cinema and into the international spotlight with a run of badass crime flicks in which Chow Yun-Fat wasted ruthless gangsters in big jackets and there would often be doves. Following A Better Tomorrow, Woo's pioneering use of gun-fu, a lucky charm in Yun-Fat and those doves all came together in the blazing church-set crescendo to this attention-grabbing maelstrom of Triad carnage. Nestled amid the awesome pyrotechnics are ageless themes of honour and redemption worthy of Woo's main influences, Martin Scorsese and Jean-Pierre Melville. Read Empire's The Killer review 30. The Vikings Kirk Douglas was born in 1916. Half that extraordinary lifetime ago he was an unlikely but nevertheless impressive Einar Lodbrok, headlining Richard Fleischers comic-book Norse epic alongside the equally askew Tony Curtis, Ernest Borgnine and Janet Leigh. Mead is quaffed, buxom wenches are goosed, and the tone is. shall we say "broad. But the scenerys spectacular, the pace is fast and the action-choreography satisfying (Howard McCains Vikings-Vs-Alien sci-fi Outlander "homaged" it wholesale. And Douglas one-eyed warrior is fierce. Read Empire's The Vikings review 29. Police Story The first of six (seven if you include Once A Cop) but still the best of them: an exuberant outing for Jackie Chan at the height of his diminutive ass-kicking powers. Chans mission is to protect an important witness to a crime lords, er, crimes. But it all gets rather complicated by the fact that she has her own agenda. Along the way theres an immense car chase through a shanty town and a sequence where Chan has to stop a big bus with just a pistol. It all ends up with a massive rumble in a shopping mall. Pure slapstick action-comedy excellence. Read Empire's Police Story review 28. The Adventures of Robin Hood Technicolour swashbucklery, as Errol Flynn s green-hosed merry man takes on the dastardly might of Basil Rathbone s Guy Of Gisbourne, in the service of Claude Raines waspish King John. Its justly reputed as a thoroughly jolly romp, but theres a steel to Flynns flashing blade that he often misses the credit for. He can trade a quip, slap a thigh, clash a foil, string a bow and roister a jape with the best of them, but hes also a great romantic and a stirring rebel leader. Read Empire's The Adventures Of Robin Hood review 27. Safety Last Of course, most stars of the silent era performed their own stunts, from the Keystone films of Mack Sennet, to Charlie Chaplin and, best of all, Buster Keaton. But arguably the most famous image of the lot is Harold Lloyd hanging off a clock face at the climax to Safety Last. The long-shots of Lloyd climbing the building actually are of a double, but the mid-shots and close-ups are all Lloyd, as are the clock-dangle and all the dicking about on the top of the building – and it is genuinely the top of a building and not a studio mock-up. No strings attached, and he only had three fingers on his right hand. Still vertiginously, viscerally thrilling, in a way CG could never achieve. Read Empire's Safety Last review 26. John Wick The set-up (they killed his dog and now hes mad as hell) verges on parody, and the plot (gunman steadily works his way up the oppositions organisational chain) as perfunctory as they come. But John Wick was an instant classic nonetheless, kicking of a series that continues to gain momentum. Its partly the self-aware humour; partly the sheer cool and charisma of Keanu; and partly the brio of the action sequences: Raid -like in their single-minded, bloodthirsty focus. Everyones afraid of John Wick, and as he head-shoots and executes to a truly mind-boggling bodycount, you can see why. Read Empire's John Wick review 25. The Rock Glossy Michael Bay action from the days when that meant something other than Transformers. This was only his second film - following the original Bad Boys - but its a confident, swaggering slice of macho action: a men-on-a-mission yarn about an ex-con breaking back in to Alcatraz to square off against hostage-taker Ed Harris. Sean Connery, evincing monstrous star power, is the pissed-off former agent (almost Old Bond, kind of The Prisoner s Number 6) press-ganged back into action. Nic Cage is the younger suit sent to chaperone him. Both are on their very best form, in one of the truly great action films of the ‘90s – and indeed of all time. Read Empire's The Rock review 24. Goldfinger The third James Bond movie and perhaps the quintessential one. Connerys Bond is at his most charming and deadly, while not yet the quipping cartoon hell become. Connery is still invested in the material; theres a great, megalomaniac villain with a ridiculous scheme; and theres the Aston Martin DB5 with "modifications" ushering in the era of escalating Q-branch nonsense. Exciting, funny, and even a reasonably close adaptation of Ian Fleming s novel, it was the first Bond film to really nail the ongoing formula. For better or worse… Read Empire's Goldfinger review 23. The General It's no exaggeration to say that there are few joys greater in life than Buster Keaton 's The General. Alongside possibly Sherlock Jr. and Steamboat Bill, Jr., The General marks the high point of Keaton's directorial career. First released in 1926, it was initially greeted with indifference by moviegoers and a chorus of disdain from critics. The Civil War adventure left Keaton physically bruised and financially battered, with that old loco left down a gorge and Old Stone Face shackled to MGM and creatively stymied. Since then, though, The General has gained the richly deserved status of silent masterpiece. If you don't know the story, suffice to say that Keaton is a railwayman stuck between two warring armies, with his beloved gal (Marion Mack) to defend and his treasured train to rescue. Things don't run smoothly. Read Empire's The General review 22. RoboCop So much more than a high-concept action movie about a cyborg policeman, RoboCop is also a savage satire and a religious parable, with its structural narrative nicked from folk mythology. The deeper you go into it, the more you find. But it works as a shoot 'em up too. Its gonzo violence perhaps functions so well because it's from an outsider's skewed perspective: Dutch director Paul Verhoeven, here only making his second English-language film. The sequels (and remake) increasingly missed the point. Verhoeven's later Starship Troopers is RoboCop 's real spiritual successor. Read Empire's RoboCop review 21. Crank Jason Statham already had an action franchise in the Transporter films, but Crank was the one that really cemented him as the Stath we know and love today. Neveldine/Taylors berserk high-concept takes the DOA model of a poisoned hero up against a very personal time limit, but amps it up so that he constantly needs adrenaline surges to survive on the way to finding the antidote. Hence car chases through shopping malls, impromptu sex, copious fights. Statham is the granite centre of the madness: almost Buster Keaton-like in his stoic single note of constant simmering annoyance. Read Empire's Crank review 20. Leon The idea of Jean Reno as a taciturn, super-efficient "cleaner" of crime scenes) first shows up in Luc Besson s Nikita, where he appears for a single eccentric sequence as Vincent. Four years later he was Leon: essentially the same character (Besson has suggested theyre cousins) but this time front and centre, with some actual dialogue. It remains an extraordinary film, for its violence, its insane performance from Gary Oldman as villain Stansfield, and for the queasy pseudo-romance at its centre between Leon and stray waif Mathilda (the then 12-year-old Natalie Portman. Read Empire's Leon review 19. Commando Pretty much the apotheosis of the lunkheaded ‘80s one-man-army action subgenre, Commando pits Arnold Schwarzenegger against the entire military force of Dan Hedaya s corrupt South American general. Many explosions, machine-gunnings and knifings later, Arnold is, of course, unscratched. Hooray! Theres a also a great bit when he escapes from a plane by jumping off its undercarriage; the whole business with killing David Patrick Kelly last; and – who could possibly forget? – Vernon Wells sporting a Village People moustache and a chainmail wifebeater. For decades only available in the UK in a heavily censored version, you can now buy a fully unadulterated directors cut on Blu-ray. What times we live in. Read Empire's Commando feature 18. The Raid Seemingly from out of nowhere came the sudden arrival of one of the most blistering action films of the 21st century to date: a ferocious curio stemming from Indonesia but written and directed by Welshman Gareth Evans. The premise is simplicity itself: Iko Uwaiss greenhorn cop and a small SWAT team are sent into the deadliest housing project in Jakarta, the kind of place thatd give even Snake Plissken second thoughts: a labyrinth of Silat-skilled villains and big bosses. oh, and guns. Lots of guns. They have to fight their way to the top of a tower block and back out again. And thats pretty much it. But its not so much the destination as the journey, which is so intense itll leave you with actual bruises. The Raid 2 – a massive and unexpected expansion, keeping the extreme violence but adding a level of Once Upon A Time In Indonesia -style epic drama – followed two years later. The third in the projected trilogy has been promised but has yet to materialise. Read Empire's The Raid review 17. The Wages of Fear Two trucks. Four men. Enough nitroglycerine to blow up South America. These are heady ingredients for any thriller, but the genius of Henri George Clouzot's downbeat stunner lies in its murky, masterful characterisation. He invests the first half in developing his quartet of desperate men, each willing to risk it all for a stack of oil company greenbacks, so that by the second, a nerve-ripping ride up mountain passes and through tortuous jungles, we're right there in the cab with them. Read Empire's The Wages Of Fear review 16. Fast Five The moment when the Fast & Furious franchise suddenly grew wings and flew. The first trilogy had petered out with the almost straight-to-video Tokyo Drift. The comeback fourth instalment had re-grouped and rebooted but hadnt got anybody particularly excited. But then there was this: a holiday in the Rio sun that wasnt over-reliant on series continuity. Fast Five reimagines the brand as a ridiculously high-octane Italian Job -style crime caper – climaxing with a vault robbery in which massive safes are dragged round busy streets by Dodge Chargers, causing maximum destruction. And of course, this was the first of the Fasts to drop The Rock on proceedings. Which is always an excellent idea. Read Empire's Fast Five review 15. Casino Royale Finally able to adapt the first of Ian Flemings Bond novels (after decades of rights issues) the Bond franchises gatekeepers took the bold move of re-starting the entire elderly franchise. Although Judi Dench remains from the Pierce Brosnan era as MI6 chief M, this is a younger Bonds first mission, in which we see him earn his 00 status with his first kill, and in which the gadgets are kept to a minimum (a defibrillator in the Aston; Q doesnt even show up for another two films. The controversy about Daniel Craig s casting seems quaint now (a toxic fan made a whiney website – imagine the furore on social media that'll meet the next Bond) and its fascinating to look back, post Craigs bored-looking turn in Spectre, and see the fire with which he absolutely owns the role, from the opening free-running chase to the airport battle and the climactic destruction in Venice. And yet, the films most thrilling sequence, somehow, is a lengthy card game. Its a fascinating franchise that can count its 21st film as one of its very best. Read Empire's Casino Royale review 14. Hard Boiled John Woo 's later work might have tailed off somewhat (see Mission: Impossible II – or, if you prefer, don't) but his super-stylish Hong Kong period remains virtually untouchable, and Hard Boiled is the best of the lot. Even if it does sacrifice emotional development in Chow Yun-Fat's kick-ass cop Tequila on the altar of gun porn, it remains a guns-a-blazing, walls-exploding, tea-room-destroying, hospital-devastating triumph, and a must-have for every action fan. It's so influential that it took Woo global and slung Chow into the big time, all whilst carrying a shotgun in one hand and a surprisingly large baby in the other. Read Empire's Hard Boiled review 13. The Driver Pared down neo-noir from Walter Hill: the action directors action director. Immense car chases are the order of the day, peppering a lean storyline about Bruce Dern s cop on the trail of Ryan ONeal s getaway driver. Heavily influenced by Jean-Pierre Melvilles classic Le Samourai, The Driver is so stark that it doesnt even name its characters, simply giving us The Driver, The Detective, The Player and so on. And the minimalism also extends to the dialogue, of which ONeal has practically none. Not a success on its initial release (Hill believes if he hadnt already had The Warriors set up, his career wouldnt have survived it) it casts a long shadow: most recently on Nicolas Winding Refn s Drive. Read Empire's The Driver review 12. Point Break Kathryn Bigelow s surfing-and-skydiving extravaganza remains as preposterous as it is glorious. Keanu Reeves undercover agent infiltrates the cult-like bank-robber gang of Patrick Swayzes action-zen guru Bodhi. and comes to question his life choices. The truly breathtaking action spectacle coupled with the bollocks macho-grunge philosophising (to which Swayze was no stranger, having already done Road House) make it a classic already, but with Bigelow at the helm theres a whole other level of genre critiquing, embodied wonderfully by Lori Petty s character, constantly exasperated at the idiocy all around her. The remake dutifully piled on the action but missed that aspect entirely. Pettys feisty Tyler got replaced by Teresa Palmer s vapid, floaty hipster chick. Read Empire's Point Break review 11. First Blood Rambo was forced into the role of one-man-army superhero for the daft sequels, so it's refreshing to revisit First Blood and find a thrilling pulp drama about a PTS sufferer driven over the edge by bullying small-town petty-mindedness. Sylvester Stallone is a decent actor when given the opportunity, and John Rambo in this film, crucially, is almost believable: the crunchy action kept under tight control by director Ted Kotcheff. It's a decent adaptation of David Morrell's page-turning novel too, although Brian Dennehy 's Sheriff Teasle gets shorter shrift, and the devastating ending is changed so that Rambo lives. Read Empire's First Blood review 10. Mad Max Fury Road Almost unbelievably this is a studio movie: Warner Bros. trusting a significant budget (estimated at 150m) to George Miller s undiluted, berserk vision. That vision includes vehicles fuelled with blood, Doof Warriors' playing flaming guitars as they hurtle into battle, CG used in respectful subservience to jaw-dropping practical stunts, and Hugh Keays-Byrne s Immortan Joe presiding over a religious cult seemingly inspired by a Duran Duran song that was inspired by the original Mad Max films. Wild Boys always shine" remember. Fury Road takes notes from John Fords Stagecoach and Sergio Leones Dollars films while forging its own route, and sits alongside the previous Max films while paying no attention to continuity whatsoever. This is filmmaking as myth, legend, campfire tale. Sequels have been mooted but its hard to imagine ever experiencing anything like Fury Road again. Read Empire's Mad Max: Fury Road review 9. The Terminator Strange how the biggest action hero of the decade earned that accolade by playing one of that same decade's biggest villains. Even stranger when you consider said action hero wasn't even physically suitable for the part, as originally envisioned by James Cameron. After all, the T-800 cyborg was supposed to blend in, be a hidden assassin, look. normal. Not, for example, like a hulking Austrian bodybuilder last seen hacking people up with a broadsword in Conan The Barbarian. Still, The Terminator hit huge and gave us two '80s icons in one: the larger-than-life Arnold Schwarzenegger, with his catchphrase, his rippling muscles and his extensive, explosive ordnance. And the steely-grinned, red-eyed nightmare from the future, which until the firey final act lurked beneath that sculpted physique. Read Empire's The Terminator review 8. The Dark Knight Christopher Nolan 's special genius lies in building his comic book films around a theme and making them stronger for that. The theme of Batman Begins was a city's response to fear (good drinking game: count the uses of that word / variations on it during Begins. This time, it's about the fine balance in our lives between control and chaos. Oh, and Heath Ledger 's out-there Joker perfectly balances Christian Bale 's fiercely controlled Batman. Read Empire's The Dark Knight review 7. The Matrix Every now and again a film comes along thats dubbed a "game changer. Some deserve it more than others, but the effect of The Matrix on the 21st centurys action cinema cant be understated. The Wachowskis cant quite be credited with creating a new visual language (FX man John Gaeta credits Michel Gondry and Katsuhiro Otomo with the original "bullet time" effects) but the use they put it to was so thrilling and eye-popping that it seemed entirely original. Backing up the extraordinary spectacle was a mash-up of lofty ideas cribbed from William Gibson and Jean Baudrillard: The Matrix felt like it had a brain as well as balls. And the casting was also note perfect, transforming the public perception of Keanu Reeves overnight from dim-bulb stoner to deadpan killing machine (a role he continues to enjoy in the likes of Man Of Tai-Chi and John Wick. Imitated to the point of audience fatigue by subsequent films (including its own sequels) it still seems fresh almost 20 years on. Read Empire's The Matrix review 6. Predator John McTiernan 's second feature is proof that the unremarkably generic can be elevated to ridiculous greatness by the right director and cast. A mash-up of men-on-a-mission war movie and alien / then-there-were-none slasher horror, McTiernan slips in some sly swipes at the action genre along with some groan-worthy homoeroticism – but more-or-less keeps a straight face. It's full of iconic moments like the Ol' Painless jungle destruction and the final one-man-army mud fight. And Arnold was, arguably, never better. Read Empire's Predator review 5. Seven Samurai The perfect fusion of action and character, East and West, blockbuster and arthouse, Akira Kurosawa 's first entry into the samurai genre is one of the great masterpieces in any language. The great director creates distinct, memorable characters out of seven luckless samurai hired to defend a poor farming village from marauding bandits, showcasing his heroes as rounded but dignified outcasts - Takashi Shimura 's noble leader and Toshiro Mifune 's crazed hothead are the standouts. All human life is here, as are debatably cinema's greatest battle scenes: the climactic showdown in the rain is the stuff of cinematic legend. Read Empire's Seven Samurai review 4. Raiders of the Lost Ark Nazis, the Staff of Ra and a boulder the size of a small house were the order of the day for Harrison Ford in his first Indy outing. An archaeologist protagonist (proteologist. may not sound all that exciting, but Steven Spielberg and George Lucas ' franchise follow-up to Star Wars succeeded on every level, not least of which was not taking itself too seriously. Lesser prequels and sequels followed, but [Raiders] cemented Ford as a Hollywood heavyweight. Face-meltingly good stuff. Read Empire's Raiders Of The Lost Ark review 3. Terminator 2: Judgement Day The action, the pace, Sarah Connor 's biceps, the clever early switcheroo where you think Arnie's the bad guy and Robert Patrick is the good guy – only you're wrong – and the further considerations of what time travel means for the present are all effective. But it's the FX and the set pieces that really blew our collective socks off. Incredibly, theyve barely dated at all. Read Empire's Terminator 2 review 2. Aliens Imagine Aliens getting announced in our current social media age. Alien is perfect – leave it alone. the internet would bleat. "Get some original ideas, Hollywood. And of course, the internet would be wrong. James Cameron, in those days a former FX guy who'd directed a low-budget cult- sci-fi called The Terminator (plus Piranha 2: Flying Killers) took Ridley Scott's gothic space horror and extrapolated it into a war movie, expanding the mythology in the process. We'd seen the face huggers and the xenomorphs before. But now, in one of cinema's greatest shock reveals, we had a queen... Read Empire's Aliens review 1. Die Hard In the 1980s, action movies tended to be the preserve of muscle men, chain-gunning their way to body-counts of infinitude. At the decade's close, a TV comedy star and a sci-fi/horror director made an action movie about a regular schmoe in the wrong place at the wrong time. and inadvertently made the greatest action movie of all time. It's sometimes easy to forget that John McClane was a product of the 1980s (only Holly McClane's hair and Ellis' coke habit really signpost the era) but that's what you get for being a timeless classic. Yippee ki, and indeed, yay. Read Empire's Die Hard review Buy it here.
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